| You can now buy Foreign Correspondents on Amazon.com! Get the DVD here. Get the VHS here. Or if you want to purchase the film directly from me, via mail order, click here. |
|
|
|
|
|
From June 11 to June 14, 1999, several key players in the Foreign Correspondents saga flew from our cozy homes in Los Angeles to the wilds of Chicago, Illinois for the Chicago Alt.film Fest. Those in attendance were yours truly (Mark Tapio Kines), producer Julia Stemock, executive producer Jamie Tost, and stars Corin Nemec and Yelena Danova. Oh, and our friend Mike, who was there anyway.
Here we are in our custom-made ForCor hats, ready to take
on the festival. (Top, from left: Jamie, Julia, Corin. Bottom, from left: Mark, Mike, Yelena.)
From October 13 to October 17, 1999, I was in beautiful Ghent, Belgium (the locals spell it "Gent") for the Flanders International Film Festival. As an invited guest of the festival, I was flown out (on their dime!) to speak at their "Digiforum" mini-festival about how I used the Internet to promote and partially finance Foreign Correspondents. I had a wonderful time and met lots of cool people. Everybody: On your next vacation, go to Ghent.
Me in front of the festival headquarters. These posters were all over town.
On March 22, 2000, The Yahoo! Internet Life Online Film Festival began its sold-out, jam-packed, completely insane 2-day run on the Sunset Strip in L.A. Foreign Correspondents was chosen to open the festival, and got a good response for a large Wednesday morning audience at the famous Directors Guild theatre. Several of us ForCor folks got to attend the star-studded world premiere of Mike Figgis's Time Code (a forgettable exercise in digital cinema, but a fun premiere nevertheless) and numerous crowded parties. I wound up with a nice little glass trophy by festival's end.
The nice people who ran the festival. The only ones I can name are Bilge Ebiri
(in suit with eyes closed), the writer from Yahoo! Internet Life magazine who "discovered" me for the festival; and Heather
Kellogg (Sandra Bullock lookalike in center), who was hired to oversee everything. Hard working, very friendly folks.
On September 16 and 17, 2000, we traveled about 100 miles southeast of Los Angeles to the funky desert community of Temecula, California, home to vineyards, tribal casinos, a burgeoning suburbia and a remarkably well-preserved Old West town. This festival felt like a bit of an "extra treat," as by now I had considered the film to have already finished up its time on the festival circuit and we were more or less invited by the festival to submit Foreign Correspondents. The weather was broiling hot, the attendance for our first screening was pretty dismal (a dozen cranky senior citizens), but the organizers were extremely kind.
Welcome to Temecula. This is on the edge of the "Old West"
part of town. It must have been about 105 degrees that day.
January 6-8, 2001: The VSDA Convention takes over some huge convention center in Las Vegas. Our then-distributors, Creative Light, took the film there to try to sell it to more video dealers. I couldn't make it, but our star Wil Wheaton was kind enough to give a day of his time to show up, sign autographs for the fans, and stump for Foreign Correspondents. Thanks Wil!
Wil takes on the crowd. Of the various celebrities who showed up at the convention,
Wil undoubtedly had the longest autograph line.
July 15-18, 2002: Julia and I were invited guests for the VSDA's short-lived "Filmmakers of Tomorrow" program, where we were allowed to pitch ForCor directly to video retailers. Didn't sell many videos, but it sure was fun, and we met some great people.
Mark at the Rio. This was where the convention was held that year. It was my first day
in Vegas and all I could think was, "Why is anybody hosting any convention in Las Vegas in the middle of July?" It was
about 116 degrees outside.
On August 17, 2003, I arrived as an invited guest of Scandinavia's biggest film festival, where I screened both Foreign Correspondents and my second feature Claustrophobia that week to appreciative audiences. It was actually the first time ForCor screened at a festival outside the United States.
The "Red Carpet." Here I stand, proudly displaying my "all access" pass, on
the consistently soggy (it rains a lot in Norway) red carpet leading up to the multiplex where most of the festival's films were
playing.
|
|
|